V. 9 N. 2 (2019): Global Fashion

Editorial

Daniela Calanca, Simona Segre Reinach

I-III
- HTML (English)
- PDF (English)
- HTML
- PDF
Critical Studies in Global Fashion

Wessie Ling, Mariella Lorusso, Simona Segre Reinach

V-XVI
- HTML (English)
- PDF (English)

Saggi

”Not African Enough?” Global Dynamics and Local Contestations over Dress Practice and Fashion Design in Zambia

Karen Tranberg Hansen

1-15
- HTML (English)
- PDF (English)
Fashion Matters: The ‘Glocal’ Mix of Dutch Fashion

Anneke Smelik

17-31
- HTML (English)
- PDF (English)
Entering the Contact Zone: Reflections on a Conceptual Framework Used to Study Brazilian Fashion

Elizabeth Kutesko

33-45
- HTML (English)
- PDF (English)
Bilum, Bilas, Bilumwear: PNG Women Loop Stylish Dresses to Create New Identities

Elisabetta Gnecchi-Ruscone

47-69
- HTML (English)
- PDF (English)
Global Fashion as a Tool in the Ethnographic Museum

Wessie Ling, Daan van Dartel

71-88
- HTML (English)
- PDF (English)
The Global ‘Wordrobe’. Ethnic Counter-Conquest in the Language of Fashion

Mariella Lorusso

89-102
- HTML (English)
- PDF (English)
Chronicling a Global Fetish: A Linguistic Analysis of the Pseudo-Italian Internationalism Stiletto

Cristiano Furiassi

103-121
- HTML (English)
- PDF (English)
Come mangiare un cannolo con le bacchette: The Contested Field of Luxury Fashion in China, a Case Study of the 2018 Dolce & Gabbana Advertising Incident

Qian Huang, Alice Janssens

123-140
- HTML (English)
- PDF (English)
Nuovi percorsi della moda tra globale e locale. Dai grandi centri alla disseminazione culturale del fashion system

Valeria Iannilli, Vittorio Linfante

141-165
- HTML
- PDF

Backstage

Cultural Heritage Practices & Critical Fashion Theory: How Does (High) Fashion Interpret Cultural Heritage? A workshop at the Italian Academy for Advanced Studies, Columbia University, New York, October 3 2019

Gianluigi Di Giangirolamo

167-168
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Il tempo della moda. A Dialogue on Fashion and Time

Caroline Evans, Alessandra Vaccari

169-172
- HTML (English)
- PDF (English)
Clothing Upcycling, Textile Waste and the Ethics of the Global Fashion Industry

Kirsten Koch

173-184
- HTML (English)
- PDF (English)
La cultura della moda come driver per il turismo

Maria Chiara Pierini

185-193
- HTML
- PDF
Un’ antologia-archeologia di arte e femminismo nell’Italia degli anni Settanta. “Il Soggetto Imprevisto” in mostra a FM Centro per l’Arte Contemporanea

Giorgia Ravaioli

195-198
- HTML
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French Fashion, Women, and the First World War, Bard Graduate Center Gallery, New York, September 5, 2019 – January 5, 2020

Sophie Kurkdjian

199-201
- HTML (English)
- PDF (English)
Internazionale Corazon. Uno scambio tra la Comunità Latina Americana e il quartiere attorno a via Padova a Milano

Francesca Marconi

203-207
- HTML
- PDF
Transfashional. Post-Interdisciplinary Lexicon Moves to Rimini. Exhibition and Catalogue by Dobrila Denegri, City Museum of Rimini – Modern Hall, October, 27 2019 – January, 6 2020

Giulia Caffaro

209-217
- HTML (English)
- PDF (English)
Simona Segre Reinach, Biki. Visioni francesi per una moda italiana, Rizzoli, 2019

Daniela Calanca

219-220
- HTML
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Global South e moda transnazionale: il percorso dello stilista italiano Giorgio Correggiari negli anni Settanta e Ottanta

Débora Russi Frasquete

221-232
- HTML
- PDF

V. 9 N. 2 (2019): Global Fashion

Editorial

Critical Studies in Global Fashion

Saggi

”Not African Enough?” Global Dynamics and Local Contestations over Dress Practice and Fashion Design in Zambia

Fashion Matters: The ‘Glocal’ Mix of Dutch Fashion

Entering the Contact Zone: Reflections on a Conceptual Framework Used to Study Brazilian Fashion

Bilum, Bilas, Bilumwear: PNG Women Loop Stylish Dresses to Create New Identities

Global Fashion as a Tool in the Ethnographic Museum

The Global ‘Wordrobe’. Ethnic Counter-Conquest in the Language of Fashion

Chronicling a Global Fetish: A Linguistic Analysis of the Pseudo-Italian Internationalism Stiletto

Come mangiare un cannolo con le bacchette: The Contested Field of Luxury Fashion in China, a Case Study of the 2018 Dolce & Gabbana Advertising Incident

Nuovi percorsi della moda tra globale e locale. Dai grandi centri alla disseminazione culturale del fashion system

Backstage

Cultural Heritage Practices & Critical Fashion Theory: How Does (High) Fashion Interpret Cultural Heritage? A workshop at the Italian Academy for Advanced Studies, Columbia University, New York, October 3 2019

Il tempo della moda. A Dialogue on Fashion and Time

Clothing Upcycling, Textile Waste and the Ethics of the Global Fashion Industry

La cultura della moda come driver per il turismo

Un’ antologia-archeologia di arte e femminismo nell’Italia degli anni Settanta. “Il Soggetto Imprevisto” in mostra a FM Centro per l’Arte Contemporanea

French Fashion, Women, and the First World War, Bard Graduate Center Gallery, New York, September 5, 2019 – January 5, 2020

Internazionale Corazon. Uno scambio tra la Comunità Latina Americana e il quartiere attorno a via Padova a Milano

Transfashional. Post-Interdisciplinary Lexicon Moves to Rimini. Exhibition and Catalogue by Dobrila Denegri, City Museum of Rimini – Modern Hall, October, 27 2019 – January, 6 2020

Simona Segre Reinach, Biki. Visioni francesi per una moda italiana, Rizzoli, 2019

Global South e moda transnazionale: il percorso dello stilista italiano Giorgio Correggiari negli anni Settanta e Ottanta

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