Vol. 10 No. 1S (2020): S.I. Be Cool! Aesthetic Imperatives and Social Practices

Essays

• What is “Fashion” and How to Research it? Polybius for Punk Fashion Sociology

  Anna-Mari Almila, David Inglis

  1-14

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• Coolness, Aesthetic Agency and Self-Construction

  Emanuele Arielli

  15-22

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• The Aesthetic Character of Age in SoMe Fashion Practice

  Dorrit Bøilerehauge

  23-38

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• “Iconic and Beyond Reproach”: The Socio-Aesthetic Relevance of Riverdale

  Paola Brembilla, Chiara Checcaglini

  39-54

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• The Anatomy of Coolness

  Eleonora Corbanese

  55-70

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• The Aestheticisation of Feminism: A Case Study of Feminist Instagram Aesthetics

  Rosa Crepax

  71-81

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• Be Cool, Be Responsible, Buy Responsibly: Bihor Couture VS Christian Dior, a Case Study

  Dominika Czakon, Monika Mazur-Bubak

  83-98

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• “Hey Siri, Play Me Something I’d Like!” Ecophenomenology of Fashion in Spike Jonze’s Fashion Film

  Adriano D’Aloia

  99-113

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• Is Modest Fashion Modest?

  Elena Esposito

  115-119

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• Constructing New Signifiers with Aesthetic Intervention: Using Coal in Design

  Magdalena Germek Germek, Kristina Pranjić

  121-132

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• On the “-Core” Mechanisms of Street Fashion

  Anna Kamneva

  133-145

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• Is It ’Cause I’m Cool / Why You Dress Like Me is It Honesty or You Just a Fool

  Vittorio Linfante

  147-158

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• Cinephilia and the Aestheticization of Film. Cultural Legitimacy Before and After

  Roy Menarini

  159-165

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• Knitting, Weaving, Embroidery, and Quilting as Subversive Aesthetic Strategies: On Feminist Interventions in Art, Fashion, and Philosophy

  Natalia Anna Michna

  167-183

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• Could Old Be the New Cool? Shifting Aesthetics of the Aging Body

  Laurie E. Naranch

  185-195

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• Fashion’s Pimp Up Posse: Leather, Sneakers and Community ID

  Kayla Owen

  197-212

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• Barista Cool: Espresso Fashion Transformed

  Wendy Pojmann

  213-227

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• Kim VS Trump: A Hair Style Duet

  Giampaolo Proni

  229-238

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• Imagining Cool Fashion Bodies and “Exoticism” in the Literature of the Weimar Republic

  Catharina Rüß

  239-254

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• The Fashion Show as a Festival of Gesamtkunstwerk

  Leszek Sosnowski

  255-263

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• Sewing in the Net – Collective-Aesthetical Experiences of Vestimentary Self-Fabrication

  Dagmar Venohr

  265-281

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• Shanghai Fashion Week: A Socially Engaging Mass Entertainment with a Professional Infrastructure

  Zhe Wang

  283-307

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