Is Modest Fashion Modest?
DOI:
https://doi.org/10.6092/issn.2611-0563/10558Keywords:
Modest Fashion, Volubility, Abstractness of fashion, Contingency, Ethnic FashionAbstract
Fashion seems to be opening to a trend towards ethnic and multicultural content, and even to a modest fashion based on the desire to avoid attracting attention. The paper discusses the possibility that fashion has a social impact, contrasting it with Simmel’s “abstractness:” the claim that fashion has no reason and cannot have a reason – and if it does, this is not the reason why we follow it. Fashion goes by and this is its real content, beyond the forms it takes over time. The open question is whether a modest fashion can still be modest, or whether it has to give up its nature in order to be fashionable – and whether this is a price that is worth paying.References
de La Bruyère, Jean. Les Caractères ou les moeurs de ce siècle. In Moralistes du XVIIe Siècle, edited by Jean Lafond, 693-968. Paris: Laffont, 1992.
Esposito, Elena. Die Verbindlichkeit des Vorübergehenden. Paradoxien der Mode. Frankfurt a.M: Suhrkamp, 2004.
Godard de Donville, Louise. Signification de la mode sous Louis XIII. Aix-en-Provence: Edisud, 1978.
Grenaille, François de. La Mode, ou charactère de la Religion, de la Vie, de la Conversation, de la Solitude, des Compliments, des Habits et du Style du Temps. Paris: Gasse, 1642.
Lipovetsky, Gilles. L’empire de l’éphémère. La mode et son destin dans les sociétés modernes. Paris: Gallimard, 1987.
La Rochefoucauld, François de. Réflexions ou sentences et maximes morales. In Moralistes du XVIIe Siècle, edited by Jean Lafond, 134-93. Paris: Laffont, 1992.
Simmel, Georg. Die Mode. In Philosophische Kultur. Gesammelte Essays. Leipzig: Klinkhardt, 1911.
Tarde, Gabriel. Les Lois de l’Imitation. Étude sociologique. Paris: Alcan, 1921.
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Elena Esposito
The copyrights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.