Vol 9, No 2 (2019)

Global Fashion

Table of Contents

Editorial
Daniela Calanca, Simona Segre Reinach
I-III
Critical Studies in Global Fashion
Wessie Ling, Mariella Lorusso, Simona Segre Reinach
V-XVI

Essays

Karen Tranberg Hansen
1-15
Anneke Smelik
17-31
Elizabeth Kutesko
33-45
Elisabetta Gnecchi-Ruscone
47-69
Wessie Ling, Daan van Dartel
71-88
Mariella Lorusso
89-102
Cristiano Furiassi
103-121
Qian Huang, Alice Janssens
123-140
Valeria Iannilli, Vittorio Linfante
141-165

Backstage

Cultural Heritage Practices & Critical Fashion Theory: How Does (High) Fashion Interpret Cultural Heritage? A workshop at the Italian Academy for Advanced Studies, Columbia University, New York, October 3 2019
Gianluigi Di Giangirolamo
167-168
Il tempo della moda. A Dialogue on Fashion and Time
Caroline Evans, Alessandra Vaccari
169-172
Kirsten Koch
173-184
La cultura della moda come driver per il turismo
Maria Chiara Pierini
185-193
Un’ antologia-archeologia di arte e femminismo nell’Italia degli anni Settanta. “Il Soggetto Imprevisto” in mostra a FM Centro per l’Arte Contemporanea
Giorgia Ravaioli
195-198
French Fashion, Women, and the First World War, Bard Graduate Center Gallery, New York, September 5, 2019 – January 5, 2020
Sophie Kurkdjian
199-201
Internazionale Corazon. Uno scambio tra la Comunità Latina Americana e il quartiere attorno a via Padova a Milano
Francesca Marconi
203-207
Transfashional. Post-Interdisciplinary Lexicon Moves to Rimini. Exhibition and Catalogue by Dobrila Denegri, City Museum of Rimini – Modern Hall, October, 27 2019 – January, 6 2020
Giulia Caffaro
209-217
Simona Segre Reinach, Biki. Visioni francesi per una moda italiana, Rizzoli, 2019
Daniela Calanca
219-220
Débora Russi Frasquete
221-232