Atlante disciplinare della decostruzione. Dalla filosofia alla moda

Pietro Terzi

doi:10.6092/issn.2611-0563/11083

Authors

Pietro Terzi Fondazione Collegio San Carlo / Université Paris Nanterre

He holds a double PhD from Paris Nanterre University and the International School of Advanced Studies of the San Carlo Foundationin Modena (Italy), with a dissertation on the reception of Kantian philosophy in France (1850s-1980s). His other research interests include the philosophy of Jacques Derrida, phenomenology, the intellectual history of the Third Republic, and the historiography of philosophy. He has written many articles on nineteenth- and twentieth-century French thought and is currently working on a book on Léon Brunschvicg that is under contract with Bloomsbury.

DOI:

https://doi.org/10.6092/issn.2611-0563/11083

Keywords:

Derrida, Deconstruction, Fashion, Deconstructionism, Philosophy

Abstract

Playing on the double meaning of the expression “from philosophy to fashion”, this article pursues two objectives: on the one hand, it briefly defines the concept of deconstruction within the philosophy of Jacques Derrida (1930-2004), investigating its proper meaning and trying to understand the reasons that led to its success, beyond the expectations of Derrida himself; secondly, it illustrates the various trajectories along which deconstruction has gradually transformed into a “fashion”, that is, a method applicable in different disciplinary sectors. Then, we will try to provide a sort of “disciplinary atlas” of deconstruction, without worrying about philological orthodoxies, but trying to understand the effects produced by such a notion. The examined areas, which are particularly paradigmatic, will be mainly literary criticism, architecture, media theory, pop culture and, finally, to better substantiate the expression “from philosophy to fashion”, fashion itself , with specific attention for Margiela and the Antwerp school.

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Atlante disciplinare della decostruzione. Dalla filosofia alla moda

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