Drawing Time: Showcasing Archives Beyond the Museum. The case study of 10·Corso·Como “Yohji Yamamoto. Letter to the Future”

Autori

  • Irene Calvi Università di Bologna (Italy)

DOI:

https://doi.org/10.6092/issn.2611-0563/21078

Riferimenti bibliografici

Bonnet, Federico. Yohji Yamamoto: An Exhibition Triptych. Antwerp: ModeMuseum, 2006.

Bonnie, English. Japanese Fashion Designers : The Work and Influence of Issey Miyake, Yohji Yamamoto, and Rei Kawakubo. Oxford: Berg Publishers, 2011.

Branscome, Eva. “Triptych for an Ideal Museum: Hollein, Beuys and Cladders.” AA Files, no. 71 (2015): 92–103. http://www.jstor.org/stable/43687073.

Coccia, Emanuele and Donatien Grau. The Transitory Museum. Newark: Polity Press, 2019. https://doi.org/10.2752/175693814X14035303880678

Palmer, Alexandra. “Reviewing Fashion Exhibitions,” Fashion Theory, 12:1 (2008): 121-126, https://doi.org/10.2752/175174108X269595.

Pecorari, Marco. “Fashion archives, museums and collections in the age of the digital”. Critical Studies in Fashion & Beauty, 10 (2019): 3–29. https://doi.org/10.1386/csfb.10.1.3_7

Romano, Alexis. “Yohji Yamamoto and the Museum: A Contemporary Fashion Narrative” in Yohji Yamamoto, edited by Ligaya Salazar (London: Victoria and Albert Museum, 2011), pp. 102-127.

Yamamoto, Yohji and Kiyokazu Washida. Talking to Myself by Yohji Yamamoto. Gottingen: Steidl Publishing, 2002

Pubblicato

2025-01-15

Come citare

Calvi, I. (2024). Drawing Time: Showcasing Archives Beyond the Museum. The case study of 10·Corso·Como “Yohji Yamamoto. Letter to the Future”. ZoneModa Journal, 14(2), 143–148. https://doi.org/10.6092/issn.2611-0563/21078