Drawing Time: Showcasing Archives Beyond the Museum. The case study of 10·Corso·Como “Yohji Yamamoto. Letter to the Future”
DOI:
https://doi.org/10.6092/issn.2611-0563/21078Riferimenti bibliografici
Bonnet, Federico. Yohji Yamamoto: An Exhibition Triptych. Antwerp: ModeMuseum, 2006.
Bonnie, English. Japanese Fashion Designers : The Work and Influence of Issey Miyake, Yohji Yamamoto, and Rei Kawakubo. Oxford: Berg Publishers, 2011.
Branscome, Eva. “Triptych for an Ideal Museum: Hollein, Beuys and Cladders.” AA Files, no. 71 (2015): 92–103. http://www.jstor.org/stable/43687073.
Coccia, Emanuele and Donatien Grau. The Transitory Museum. Newark: Polity Press, 2019. https://doi.org/10.2752/175693814X14035303880678
Palmer, Alexandra. “Reviewing Fashion Exhibitions,” Fashion Theory, 12:1 (2008): 121-126, https://doi.org/10.2752/175174108X269595.
Pecorari, Marco. “Fashion archives, museums and collections in the age of the digital”. Critical Studies in Fashion & Beauty, 10 (2019): 3–29. https://doi.org/10.1386/csfb.10.1.3_7
Romano, Alexis. “Yohji Yamamoto and the Museum: A Contemporary Fashion Narrative” in Yohji Yamamoto, edited by Ligaya Salazar (London: Victoria and Albert Museum, 2011), pp. 102-127.
Yamamoto, Yohji and Kiyokazu Washida. Talking to Myself by Yohji Yamamoto. Gottingen: Steidl Publishing, 2002
Downloads
Pubblicato
Come citare
Fascicolo
Sezione
Licenza
Copyright (c) 2024 Irene Calvi
Questo lavoro è fornito con la licenza Creative Commons Attribuzione 4.0 Internazionale.