Crafting Utopias Through Fashion in Ghana and Senegal
DOI:
https://doi.org/10.6092/issn.2611-0563/15757Parole chiave:
African fashion, Decolonial design, Africanfuturism, Ghana, SenegalAbstract
This article introduces two case studies of ethical fashion from Senegal and Ghana: the Africanfuturist brand Selly Raby Kane, based in Dakar, and the Slum Studio collective operating off Kantamanto Market in Accra. Both engage critically with the global politics of clothing, developing place-sensitive and art-inspired responses informed by decolonial approaches to expressive meaning to the multiple threats engendered by the global fashion system.
Riferimenti bibliografici
“Aburi Botanic Gardens.” Botanic Gardens Conservation International. https://tools.bgci.org/garden.php?id=1246.
Arfaoui, Meryem-Bahia. “Time and the Colonial State.” The Funambulist, June 21, 2021. https://thefunambulist.net/magazine/they-have-clocks-we-have-time/time-and-the-colonial-state.
Ayorkor Manieson, Lydia and Tiziana Ferrero-Regis. “Castoff from the West, pearls in Kantamanto?: A critique of second-hand clothing.” Journal of Industrial Ecology, (2022): 1–11.
Brydges, Taylor, Monique Retamal and Mary Hanlon. “Will COVID-19 support the transition to a more sustainable fashion industry?” Sustainability: Science, Practice and Policy, Vol. 16.1 (2020): 298–308.
de Greef, Erica. “African Fashion, Postcolonial Narratives & Digital Access.” YouTube, July 17, 2021. https://www.youtube.com/watch?v=XUT94omqSB4.
De Kock, Pieter. “The Meaning in Seeing: Visual Sustainability in the Built Environment.” AMPS Proceedings Series 16, Stevens Institute of Technology, (17–19 June 2019): unpaginated.
De Kock, Pieter and Silvio Carta. "SDG18 Visual Sustainability: dream or reality?. 2020).
Dessein, Joost et al. eds. Culture in, for and as Sustainable Development. Jyväskylä: University of Jyväskylä, 2015.
Ehrenfeldt, John. “The Real Challenge of Sustainability.” In Routledge Handbook of Sustainability and Fashion, edited by Kate Fletcher and Mathilda Tham, 57–63. London and New York: Routledge, 2015.
Fletcher, Kate and Mathilda Tham. Earth Logic: Fashion Action Research Plan. London: The JJ Charitable Trust, 2019.
Floyd, Carmilla. “Selly Raby Kane: The Selliest.” Skewed, October 27, 2020. https://skewed.com/the-selliest/.
Iheka, Cajetan. African Ecomedia: Network Forms, Planetary Politics. Durham-London: Duke University Press, 2021.
Grabski, Joanna. “Introduction to special issue: visual experience in Urban Africa.” Africa Today, 54:2 (2007): vii–xii.
Kane, Selly Raby. “S1E3: Selly Raby Kane: Designing the Future.” Creative Development with International Finance Corporation. Undated. https://www.ifc.org/wps/wcm/connect/news_ext_content/ifc_external_corporate_site/news+and+events/podcasts/cdp-s1e3.
Kane, Selly Raby (@sellyrabykane). “For all the superheroes.” Instagram photo, November 30, 2021. https://www.instagram.com/p/CW6OHoVL3Nl/.
Kane, Selly Raby. “Selly Raby Kane sur Vraimag.” YouTube, June 18, 2022. https://www.youtube.com/watch?v=bEL6aP3BwGI.
Kofiga, Sel. “Talents: Sel Kofiga, The Slum Studio.” Afrosartorialism, January 28, 2021. https://www.afrosartorialism.net/2021/01/.
Niessen, Sandra. “Fashion, Its Sacrifice Zone, and Sustainability.” Fashion Theory, Vol. 24.6 (2020): 859–877.
Niinimäki, Kirsi et al.. “The environmental price of fast fashion.” Nature Reviews Earth & Environment, Vol. 1.4 (2020): 189–200.
Rabine, Leslie W. “‘These walls belong to everybody’: The graffiti art movement in Dakar.” African Studies Quarterly, Vol. 14.3 (2014): 89–112.
Ricketts, Liz. “This is Not Your Goldmine. This is Our Mess.” Atmos, January 30, 2021. https://atmos.earth/fashion-clothing-waste-letter-ghana/.
The OR Foundation. https://theor.org/.
The Slum Studio. http://theslumstudio.com/.
“The Slum Studio: Cloth(ing) the Green.” Nataal, November 15, 2021. https://nataal.com/the-slum-studio.
Turner, Rory. “Radical Critical Empathy and Cultural Sustainability.” In Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 32–42. Urbana, Chicago, and Springfield: University of Illinois Press, 2019.
Downloads
Pubblicato
Come citare
Fascicolo
Sezione
Licenza
Copyright (c) 2022 Enrica Picarelli
Questo lavoro è fornito con la licenza Creative Commons Attribuzione 4.0 Internazionale.
