Vol. 16 No. 1 (2026): Fashioning Opera. Stage and Screen Costumes Across Cultures

Published: 2026-08-04

Introduction

Introduction

Sara Pesce, Silvia Vacirca

i-vi

Essays

Chinese Opera and Qin Wenbao: When Costumes Become Living Canvases

Alexandra B. Bonds

1-23
- HTML
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Fashioning the Social Value of Opera: Made by Juozas Statkevičius, Lithuania

Kristina Stankevičiūtė

25-40
- HTML
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Variations On the Costumed Embodiment of Faust’s Marguerite, 1859-1914

Carole Schinck

41-64
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Dressing Up the Opera Stage: Sofia Coppola’s La traviata

Sara Pesce, Silvia Vacirca

65-77
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Armani ‘it's showtime!’ Minimalist fashion and stylistic experimentation in the theatrical space

Teresa Biondi

79-90
- HTML (Italiano)
- PDF (Italiano)
Setting the Scene: Opera Costumes Off-stage

Irene Calvi

91-100
- HTML
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“Private Callas: Some Pieces of an Iconic Wardrobe.” When a Soprano’s Public Image Meets her Wardrobe

Cristina Colet

101-114
- HTML (Italiano)
- PDF (Italiano)
Opera Costume as a Creative Process: The Farani Tailoring Workshop between Material, Design and Stage

Sara Martin, Matilde Alghisi

115-135
- HTML (Italiano)
- PDF (Italiano)

Backstage

Archeologia della moda. Heritage, archivi, comunicazione, Carocci editore, 2025

Angela Maria Ferraro, Simona Cimmino

137-139
- HTML (Italiano)
- PDF (Italiano)
Dress, Dreams & Desire: A History of Fashion and Psychoanalysis, Bloomsbury Visual Arts, 2025

Bradley Quinn

141-149
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Vestire a matita. Il disegno della moda dagli anni Settanta a oggi, Mimesis, 2026

Chiara Tessariol

151-152
- HTML (Italiano)
- PDF (Italiano)
Givenchy, Chloé, Gaultier. Le opere al completo

Fabriano Fabbri

153-156
- HTML
- PDF