Comunicare la moda attraverso le mostre virtuali: <em>1972. Moda, design, storia</em>, un caso di studio realizzato presso il Centro Studi Archivio della Comunicazione (CSAC) dell’Università di Parma

Valentina Rossi; Lara Marziali; Alberto Salarelli; Francesco Zanichelli

doi:10.6092/issn.2611-0563/14909

Authors

Valentina Rossi University of Parma

PhD at the University of Parma, an art historian and curator. Graduated from DAMS in Bologna, in recent years she has collaborated with various institutions for research projects, books and exhibitions such as CSAC in Parma, MACRO in Rome, MAXXI in Rome, Arcos in Benevento, MSU in Zagreb and MAMbo in Bologna. She has also collaborated in the scientific research of catalogs for Electa, Silvana Editoriale, Danilo Montanari Editore, Il Poligrafo and Fortino Editions, and she has published in various scientific journals.
Lara Marziali University of Parma

She is assistant researcher at the University of Parma. She holds a master’s degree in Digital Humanities, from Ca’ Foscari University in Venice. She has perfected her knowledge on the digital humanities’ issues, working in Medialibrary, where she curated and developed the OpenMLOL collection.
Alberto Salarelli University of Parma

He is associate professor at Dipartimento di Discipline Umanistiche, Sociali e delle Imprese Culturali (DUSIC) at University of Parma where he teaches Digital documentation and Library Science.

He conducted research at the Department of Physics “A. Volta” (University of Pavia) and CERN. Author of several monographs and over ninety published papers on Italian and international journals, Alberto Salarelli is member of the editorial board for the following journals: “AIB Studi”, “Bibliothecae.it”, “Culture del testo e del documento”, “JLIS.it - Italian Journal of Library and Information Science”, “Biblioteche oggi Trends”; he is editor of the journal “Ricerche di S/Confine”.
Francesco Zanichelli University of Parma

He is associate professor at the Engineering and Architecture Department, at the University of Parma where he teaches Information Systems and Operation Systems. His present research is dedicated to distributed systems and middleware peer-to-peer for services, cloud systems for IoT and predictive maintenance.

His research activity, with more than ninety works published in journals and international conferences, has been developed through various research programs, regional, national (PRIN and FIRB) and international (NATO, CEE FP6 and FP7), sometimes as PI or workpackage manager.

DOI:

https://doi.org/10.6092/issn.2611-0563/14909

Keywords:

Digital Humanities, Virtual Exhibition, Fashion, Design, CSAC

Abstract

Virtual exhibitions represent an effective way of enhancing cultural heritage by allowing institutions responsible for conservation the possibility of combining historical research and documentary protection, in order to make their heritage on the Internet usable, with increasingly engaging solutions. The article first examines some significant examples of virtual exhibitions dedicated to fashion and design, highlighting the points of effectiveness regarding the enhancement of the collections, and then moves on to the description of a virtual exhibition dedicated to the year 1972 (year in which two epochal events occurred: the MoMA exhibition: Italy: The New Domestic Landscape and the birth of prêt-à-porter) and held at the Centro Studi Archivio della Comunicazione (CSAC) of the University of Parma.

Through open source technical solutions (in particular the Omeka-S platform and the use of innovative standards such as IIIF) this case study is proposed as a significant element of reflection on how a series of archival documents dedicated to fashion and design can be offered in an effective and captivating way even for a non-specialist audience.

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Communicating Fashion Through Virtual Exhibitions: 1972. Fashion, Design, History, a Case Study Carried Out at the Centro Studi Archivio della Comunicazione (CSAC) of the University of Parma

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