Digital Humanities e moda

Valentina Rossi

doi:10.6092/issn.2611-0563/11838

Authors

Valentina Rossi University of Parma

She is a research fellow in History of Art at the University of Parma, independent curator and art historian. After various experiences of study and work in Berlin and Amsterdam, she graduated at DAMS of the University of Bologna in 2006. From 2007 to 2009 she worked on scientific research for exhibitions and catalogs at MACRO, Museum of Contemporary Art in Rome, and at Museum ARCOS in Benevento. From 2009 to 2010 she coordinated, organized and set up the exhibitions and the artist residences at the Accademia Dello Scompiglio in Lucca. Currently she is a member of personal the collective group that wasborn in Bologna, and which has two catalogs and three experimental exhibitions to its credit. She is the curator of the research project in Digital Humanities MoRE a Museum of refused and unrealized project, in collaboration with CAPAS Center for Activities and Professionsof Arts and Entertainment of the University of Parma. She has collaborated in the scientific research of catalogs for Electa, Silvana Editoriale, Scripta, cura.books, Danilo Montanari Editore and Fortino Editions, she has curated and coordinated exhibition projects in public and private spaces in Italy and abroad, and she was also an Art Contributor for Arte e Critica, Curaand Fruit of the Forest. She is currently working on the research project concerning curatorial practices related to the digital dimension for the creation of a virtual exhibition with the heritage of CSAC, Centro Studi Archivi Comunicazione, in Parma. She teaches "Museologia del contemporaneo" at the Accademia Santa Giulia in Brescia, she writes for Zero and she has published various articles in scientific reviews. In 2019 she has published Tate Modern. Pratiche Espositive (postmedia book, Milan) and Nouvelles Flâneries (Silvana Editoriale, Milan, 2019). In 2021, she will curate an exhibition and a book, Hidden Display. Il non realizzato a Bologna, for MAMboMuseum in Bologna and an exhibition and a book, Storie di Fili, for CSAC, Parma.

DOI:

https://doi.org/10.6092/issn.2611-0563/11838

Keywords:

Digital Humanities, Archive, Fashion, Virtual Exhibitions, Curatorial Practices

Abstract

To answer the question posed by the call: Could the pandemic, the pervasive use of the Web and the experimentation of Extended Reality technologies give a boost to fashion archives? it is necessary to undertake a analysis of different case studies that over the years have been confronted with Digital Humanities practices.The essay aims to outline a methodological lecture on museum and archival practices related to digital humanities. Since March 2020, museums and archives have accelerated the data restitution process and reinterpreted the functions of institutions through digital practices and virtual exhibitions - that do not aspire to replace the real ones - and demonstrating how these are placed on a different level of reading. They can certainly integrate with the museum and physical itinerary, but they can also take place independently of it. The debate on Digital Humanities and Virtual Exhibitions is now wide and articulated and one of its major authors, Jeffrey Schnapp, writes of Knowledge design: we find ourselves creating new forms of knowledge assuming the current conditions that contemporaneity offers us, while other critical perspectives are aimed at restoring the difference on the role of the document as such or on the method of construction and the impact of digital platforms

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Digital Humanities e moda

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